Sexual Violence in History: A Bibliography

compiled by Stefan Blaschke

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Start: Alphabetical Index: Author Index: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | Unknown

First published: September 1, 2025 - Last updated: September 1, 2025

TITLE INFORMATION

Author: Andjela Bisevac

Title: From Tartan to Turmoil

Subtitle: Sensory Engagement and Historical Narratives in Alexander McQueen’s “Highland Rape”

Journal: dObra[s]: Revista da Associação Brasileira de Estudos de Pesquisas em Moda (dObra[s]: Journal of the Brazilian Association of Fashion Research Studies)

Volume: 18

Issue: 44

Year: May-August 2025 (Received: October 28, 2024, Approved: April 2, 2025)

Pages: 106-120

pISSN: 1982-0313 - Find a Library: WorldCat | eISSN: 2358-0003 - Find a Library: WorldCat

Language: English

Keywords: Modern History: 20th Century | European History: English History | Types: Rape; Representations: Fashion / Highland Rape



FULL TEXT

Link: dObra[s] (Free Access)



ADDITIONAL INFORMATION

Author: ORCID

Abstract: »This paper examines Alexander McQueen’s “Highland Rape” (Autumn/Winter 1995) as a collection that transcends aesthetics to explore trauma, resilience, and historical memory. Known for its provocative title and graphic imagery, the collection challenges conventional beauty and redefines fashion’s role in society by confronting audiences with layered narratives of personal and collective suffering. Through torn fabrics, exposed skin, and stark contrasts, McQueen delivers a potent commentary on the violent history of the Scottish Highlands, intertwined with his personal experiences. Grounded in the theoretical frameworks of Roland Barthes and Michel Foucault - particularly Barthes’s semiotic theory and Foucault’s notions of power and bodily discipline - this study examines how McQueen transforms the runway into a symbolic stage. His garments function as signs - mutable, provocative, and saturated with meaning - while the performative nature of the show provokes both visceral and intellectual engagement. Contributions from Caroline Evans and Judith Watt further situate McQueen’s work within a tradition of fashion as a critical narrative. Ultimately, the paper argues that “Highland Rape” exemplifies fashion’s potential to provoke dialogue on identity, memory, and socio-political critique. Positioned within the broader discourse of fashion as both an expressive art form and a design practice, the collection continues to resonate as a transformative force in contemporary fashion history.« (Source: dObra[s])

Contents:
  Abstract (p. 106)
  Resumo (p. 107)
  Introduction (p. 107)
  From Shock to Substance: Audience Reactions and Misinterpretations (p. 108)
  Fashion as Narrative: The Sutured Wound and Historical Trauma (p. 109)
  The Power of Interpretation: Clothing as Armor and Agency (p. 111)
  Evolving Narratives: From Victim to Survivor (p. 114)
  Dynamics of Audience Engagement (p. 116)
  Conclusion: The Lasting Impact of “Highland Rape” (p. 117)
  References (p. 118)

Wikipedia: History of Europe: History of England, History of Scotland | Fashion: Haute couture / Alexander McQueen, Highland Rape | Sex and the law: Rape / History of rape